todaysdocument: Auto Dump 4/1972 Gene Daniels, Photographer.  From the EPA’s DOCUMERICA series.  (now on exhibit as: “Searching for the Seventies: The DOCUMERICA Photography Project,”)  This pile of vintage 50-60s era junkers is likely a distressing sight to gearheads and environmentalists alike.  Which makes & models can you identify?
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todaysdocument:

Auto Dump 4/1972

Gene Daniels, Photographer.  From the EPA’s DOCUMERICA series.  (now on exhibit as: “Searching for the Seventies: The DOCUMERICA Photography Project,”) 

This pile of vintage 50-60s era junkers is likely a distressing sight to gearheads and environmentalists alike.  Which makes & models can you identify?

(via grofjardanhazy)

Source: research.archives.gov

theparisreview: “Macfarlane entwines history and landscape just as well as Sebald and Chejfec and evokes, to borrow from George Bernard Shaw’s description of the Skelligs, a part of our dream world.” Read more of what we’re loving this week, including Robert Macfarlane’s The Wild Places, Olivier Assayas’s film Something in the Air, and a new translation of Rainer Maria Rilke’s Letters To A Young Poet. Art Credit Eric Ravilious.
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theparisreview:

“Macfarlane entwines history and landscape just as well as Sebald and Chejfec and evokes, to borrow from George Bernard Shaw’s description of the Skelligs, a part of our dream world.”

Read more of what we’re loving this week, including Robert Macfarlane’s The Wild Places, Olivier Assayas’s film Something in the Air, and a new translation of Rainer Maria Rilke’s Letters To A Young Poet.

Art Credit Eric Ravilious.

(via tierradentro)

Source: theparisreview

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